Sunday, February 23, 2014

Poetry Close Reading Chart and Essay #1



Linguistic
Semantic
Structural
Cultural
Specific textual examples of what you’ve observed when reading at this level—cited in MLA format.
(You may use numbers or bullets here to take notes)
“Two loves I have, of comfort and despair” (1)
“The better angel is a man right fair,” (3)
“Yet this shall I ne'er know, but live in doubt,
Till my bad angel fire my good one out.” (13-14)
“The better angel is a man right fair,
The worser spirit a woman colored ill.” (3-4)
“But being both from me both to each friend,
I guess one angel in another’s hell.” (11-12)
“Two loves I have, of comfort and despair” (1)
Yet this shall I ne'er know, but live in doubt,
Till my bad angel fire my good one out.”(13-14)

“The better angel is a man right fair,
The worser spirit a woman colored ill.” (3-4)
“But being both from me both to each friend,
I guess one angel in another’s hell.” (11-12)
Yet this shall I ne'er know, but live in doubt,
Till my bad angel fire my good one out.”(13-14)

Demonstrate the development of complexity of thought at each level by writing a descriptive response to what you’ve written in the row above. (Analyze your thought patterns when observing the examples you’ve listed above—these may also be in note-taking form)

This sonnet is a Shakespearean sonnet, so formatting is important to recognize. There are three quatrains and an ending rhyming couplet, which reveals the main idea of the poem. The rhyme scheme engages the reader because it is lyrical. In this specific poem, the conceit of the speaker’s lovers being angels allows the audience to recognize how the writer feels about both of his angels.
The conceit of angels in this poem is important to recognize how the speaker loves two people; one angel is a man, one angel is a woman. He uses contrasting diction to differentiate his feelings towards both of his angels, and to describe his angels' hell. This attributes to the poem by giving it a hopeless tone, because every person in this sonnet has a problem that cannot be fixed.
The first sentence in this poem introduces two people, described as angels. The contrasting adjectives describing these angels, however, are written not before the noun but after. This develops the speaker’s conflict and allows the reader to create a scenario that is more dramatic than if in the adjectives had been properly placed.  The ending couplet reveals the end thoughts of the speaker, in which he cannot decide which angel is actually the worse angel.
The speaker has two loves, each of the opposite gender. The forces the idea that the speaker is bisexual. It is established that there is a better angel, a man, and a worse angel, a woman. However, both angels experience each other’s hell, leading to the idea that the man experiences the feeling of being an outcast for his homosexuality, such as a woman experiences regardless of sexual identity. Both angels live in this hell, and though it has been established that the man is the good angel, the angel the speaker loves more, and the bad angel is the woman, an angel that the speaker can physically love, the couplet reveals something else; that the speaker doubts which angel is truly better or worse. In society, the male angel would be considered worse, considered immoral. A man should be with a woman. So the speaker will continue to doubt his angels until the bad angel unambiguously reveals itself as the worse angel.
Close Reading Text Analysis Chart





Complete the chart below by synthesizing your notes (above) into a brief (but thorough—fill the space) analysis of each level as it applies to your passage. You may replicate the chart and type your responses in the space provided—size 10 font, Times New Roman, roughly 300 words apiece



William Shakespeare’s Sonnet #144


Analysis of Close Reading

Two loves I have, of comfort and despair,
Which, like two spirits, do suggest me still;
The better angel is a man right fair,
The worser spirit a woman colored ill.
To win me soon to hell, my female evil
Tempteth my better angel from my side,
And would corrupt my saint to be a devil,
Wooing his purity with her foul pride.
And whether that my angel be turned fiend
Suspect I may, but not directly tell;
But being both from me both to each friend,
I guess one angel in another’s hell.
  Yet this shall I ne'er know, but live in doubt,
  Till my bad angel fire my good one out.
In this sonnet, Shakespeare discusses the negative temptations of both of his "angels," insinuating (as several of his sonnets do) that Shakespeare was bisexual. He refers to the male angel as his "better" angel, and puts a lot of the blame on the female angel for tempting the other away. He does make an assumption that "one angel" is "in another's hell" which relates to the themes in much of Shakespeare's work. In "Taming of the Shrew," Katherine is cast out for her poor manners. This is relatable to the female angel discussed in the sonnet, since the blame in both the sonnet and the play is usually placed on the women. However, Shakespeare is clearly still sympathetic toward the female angel, as he is toward his male angel. He is identifying the struggles of being cast out as a homosexual with the struggles of being cast out as a woman. Katherine is cast out for her behavior when men would normally be excused for it. Shakespeare's revelation of his society's unfair discrimination toward both homosexuals and females are evident in both Sonnet 144 and "The Taming of the Shrew."       

This sonnet is a Shakespearean sonnet, so formatting is important to recognize. There are three quatrains and an ending rhyming couplet, which reveals the main idea of the poem. The rhyme scheme engages the reader because it is lyrical. In this specific poem, the conceit of the speaker’s lovers being angels allows the audience to recognize how the writer feels about both of his angels.         
The conceit of angels in this poem is important to recognize how the speaker loves two people; one angel is a man, one angel is a woman. He uses contrasting diction to differentiate his feelings towards both of his angels, and to describe his angels' hell. This attributes to the poem by giving it a hopeless tone, because every person in this sonnet has a problem that cannot be fixed.
The first sentence in this poem introduces two people, described as angels. The contrasting adjectives describing these angels, however, are written not before the noun but after. This develops the speaker’s conflict and allows the reader to create a scenario that is more dramatic than if in the adjectives had been properly placed.  The ending couplet reveals the end thoughts of the speaker, in which he cannot decide which angel is actually the worse angel.
The speaker has two loves, each of the opposite gender. The forces the idea that the speaker is bisexual. It is established that there is a better angel, a man, and a worse angel, a woman. However, both angels experience each other’s hell, leading to the idea that the man experiences the feeling of being an outcast for his homosexuality, such as a woman experiences regardless of sexual identity. Both angels live in this hell, and though it has been established that the man is the good angel, the angel the speaker loves more, and the bad angel is the woman, an angel that the speaker can physically love, the couplet reveals something else; that the speaker doubts which angel is truly better or worse. In society, the male angel would be considered worse, considered immoral. A man should be with a woman. So the speaker will continue to doubt his angels until the bad angel unambiguously reveals itself as the worse angel.











2 comments:

  1. I thought it was clever and well thought out to choose sonnets by Shakespeare as your poems to analyze. It makes it so instead of trying to vaguely connect two different authors from two different time periods you could expand on Shakespeare as an author and as a person. One thing that you could have done better is explain the context of his sonnets more clearly. How do we know that he is writing from his own perspective? Could some of his sonnets (especially ones like this) be written from a fictional character's perspective?
    Another thing that you touched on that I enjoyed (not present in this analysis of poetry, but rather in your presentation) was Shakespeare's creation of female characters that played more of a role than just a wife or daughter. In order to make your argument more complete, though, you could have conceded at some point in your presentation and explained why Shakespeare may have sometimes portrayed women in a negative light (in plays like Hamlet).

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  2. I think your take on Shakespeare’s Sonnet 144 was a very unique one. The imagery creates in my mind the classic devil on left shoulder/angel on right scenario in which the two represent the person’s conflicting desires, but you took it to physically mean a man and a woman. I think the fact that, with this interpretation, a woman’s freedom and identity is compared to that of a homosexual man is incredibly important. In history, homosexual men and women in general have been viewed as inferior, as something to be ashamed of, something that should be kept hidden. That Shakespeare would align how homosexual persons are viewed with how women are viewed makes a strong statement against the misogyny of the time. In fact, as the woman is depicted as the lesser between the two, could Shakespeare have been hinting that women are viewed as that much more inferior?
    I was wondering if you did consider this poem from the perspective of Shakespeare caught in between two warring halves of himself, his humane side and his darker side, and whether the entire sonnet is his own self-doubt that he’ll be able to overcome his darker angel. The symbolism in that the dark angel is a woman, then, may actually be representative of some misogyny on the part of Shakespeare, who portrays the wily, cunning side of himself as a female. There have been a number of literary critics who believe that Shakespeare portrayed women as “weak” and “submissive” (Fothergill 1), and of a 2nd class to the men around them. Using this interpretation, how do you think you would tie Sonnet 144 back to your thesis? Or do you think this interpretation is weaker than your original one and has little merit? I’m curious!

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